
Vancouver Literature and Film ยท Think
๐บ๐ฒ Princess Mononoke - can humans build without destroying something sacred?
A lot of animated films ask you to choose a side. Princess Mononoke does something more honest and more difficult. The forest is not simply innocent. Industry is not simply evil. The gods are sacred and terrifying. The humans are desperate, wounded, clever, hungry, and often half-right. That is what makes this movie still feel alive.
RSVP on MeetupThe essentials
- When
- Sunday, August 23, 2026 ยท 1:00 p.m.โ3:00 p.m. PDTTimes shown in America/Vancouver.
- Location
- Vancouver Central Library350 West Georgia Street
Field note
About this event
Movie discussion - watch beforehand. No screening.
Short summary
A lot of animated films ask you to choose a side. Princess Mononoke does something more honest and more difficult. The forest is not simply innocent. Industry is not simply evil. The gods are sacred and terrifying. The humans are desperate, wounded, clever, hungry, and often half-right. That is what makes this movie still feel alive. It is not a clean environmental fable. It is a war between ways of living: nature, technology, survival, labour, rage, beauty, violence, and the impossible wish to build something without breaking something else. This is the discussion companion to the August 7 public movie outing, but you do not need to have attended that screening. Just watch the film beforehand. Not trivia. Not โMiyazaki is perfectโ worship. Not plot-summary sludge. A real conversation about what happens when every side has a wound, every answer has a cost, and peace is not the same thing as innocence.
A few questions already sitting in my head
- โCan humans build anything without destroying something sacred?โ
- โWho does the film understand best: San, Ashitaka, Lady Eboshi, the forest gods, or the people of Iron Town?โ
- โIs Lady Eboshi a villain, a realist, a liberator, a destroyer, or all of those at once?โ
- โWhat does the film understand about rage that simpler stories usually miss?โ
- โIs Ashitaka wise, naive, morally clear, or just the only person refusing to become possessed by hatred?โ
- โDoes the film believe coexistence is possible, or only necessary?โ
- โWhat felt more frightening: human violence, divine violence, or the damage done by people trying to survive?โ
- โWhy does this movie make easy answers feel dishonest?โ
How the afternoon will go
Weโll start with one question: โWhat side of the conflict did you feel yourself sympathizing with, even when it made you uncomfortable?โ Then weโll stay close to the film: San, Ashitaka, Lady Eboshi, Iron Town, the forest, the gods, rage, labour, violence, and the strange moral pressure of a movie that refuses to give us a clean escape. Open spoilers are fine. Come having watched the movie recently enough to argue with your own memory of it. No lore-flexing. No studio trivia detours. No pretending this is just a beautiful fantasy movie. A real discussion.
When and where
๐๏ธ Date: Sunday, August 23rd, 2026 ๐ Time: 1:00 PM - 3:00 PM ๐ Location: Vancouver Central Library 9th floor, left of the elevators when you exit. 350 West Georgia Street, Vancouver, BC Cap: No attendee limit.
Weekend RSVP policy
Our weekend events regularly have waitlists of 20 or more people. If you can no longer attend, please update your RSVP by Thursday evening. This gives someone on the waitlist enough time to make plans and take the available spot. Members who remain marked as attending and miss two events without cancelling may be removed from the group. Emergencies happen; if something unavoidable comes up, please message the organizer. Keeping your RSVP accurate helps limited seats go to people who can actually attend.


